by David Wilikofsky The Epoch isn’t a name that is thrown around much these days, but there was a time where it felt like everyone…
Exploring sounds of the past, present and future
by David Wilikofsky The Epoch isn’t a name that is thrown around much these days, but there was a time where it felt like everyone…
by David Wilikofsky We all know the feeling; you wake up, go to work, come home, go to bed, rinse and repeat. Weekends flash by,…
by David Wilikofsky It’s almost the end of October. In any other year this would mean exciting things were on the horizon. First you’d have…
by David Wilikofsky I’ve recently gotten into Hades, possibly the best video game released this year. For those not in the know, you play as…
by David Wilikofsky From an artistic perspective, happiness is harder to make interesting than conflict. As an example, take The Office; perhaps this is a…
by David Wilikofsky If you’ve followed Wendy Eisenberg’s projects through the last few years, you’ll know that they can seemingly do anything and everything. They…
by David Wilikofsky Rolling Stone recently set Twitter ablaze with their revised “best albums ever” list. I won’t bother rehashing all those very valid criticisms…
by David Wilikofsky Last Tuesday, Regal Cinemas announced that they would close down all their locations in the United States. While this is clearly the…
by Hugh Wilikofsky In 2017 I caught a performance of John Luther Adams’ Across the Distance in Philadelphia at a pier along the Delaware River,…
by David Wilikofsky Genre is, by and large, a convenient framework to use when talking about music. If I say a piece of music is…