We’re going to be doing things a little bit differently going forward on Undrcurrents. We’re still going to be writing longer album reviews, but we…
Exploring sounds of the past, present and future
We’re going to be doing things a little bit differently going forward on Undrcurrents. We’re still going to be writing longer album reviews, but we…
by David Wilikofsky When Glass Beach were putting together their first album (the aptly named the first glass beach album), they were focused on only…
Undrcurrents started at the height of COVID, a time where I had little to do but sit around my apartment and listen to music. As…
The three records we’re highlighting today are difficult to pigeonhole, playing with notions of genre and even the very foundations of music itself. In each…
by David Wilikofsky In the press materials accompanying A time to love, a time to die, Mexico City’s Amor Muere are referred to as an…
by David Wilikofsky Ryan Davis has charted his own path across the musical underground over the last decade, as a member of bands like State…
by David Wilikofsky Joseph Farago began writing songs in his dorm room in 2015. What began as a bedroom pop project eventually evolved into a…
by David Wilikofsky Subsonic Eye first caught my ear in 2021 when they released their third album Nature of Things. It was an elastic take…
by David Wilikofsky Svitlana Nianio is a bit of enigma. Her Wikipedia biography begins “little is known about Svitlana Nianio’s background”, and internet searches turn…
by David Wilikofsky I first became familiar with Ruth Garbus via her 2010 album Rendezvous with Rama. Still one of my favorite albums of that…