by David Wilikofsky When Myriam Gendron’s debut album, Not So Deep As A Well, was released in 2014, it was heralded in some parts as…
Exploring sounds of the past, present and future
by David Wilikofsky When Myriam Gendron’s debut album, Not So Deep As A Well, was released in 2014, it was heralded in some parts as…
by David Wilikofsky Evan Lewis and Tom McGreevy initially met in their hometown of Toronto. At the time both played in local bands and were…
by David Wilikofsky On the surface, folk music seems like an odd choice of inspiration for the first collaborative album between The Body and BIG|BRAVE.…
by David Wilikofsky Macie Stewart doesn’t consider Mouth Full of Glass a quarantine record, but you might not know it from listening. After years of…
by David Wilikofsky Sounds of Sisso, a compilation of tracks from Sisso Studios in Dar Es Salaam, was the one of the first releases from…
by David Wilikofsky The world of music is vast and wide; for every great artist’s discography you’ve savored, there are twenty more that haven’t even…
by David Wilikofsky Michael Azerrad’s seminal book Our Band Could Be Your Life profiled thirteen underground rock bands from the eighties and early nineties. Although…
Just in time for Bandcamp Friday, we’re back with some records that have been in heavy rotation at Undrcurrents HQ over the past month. Whether…
by David Wilikofsky Released on Sister Polygon in 2018, Florry’s debut album Brown Bunny was a lo-fi indie rock gem, music whose slightly ramshackle qualities…
by David Wilikofsky Water From Your Eyes have always been pop tricksters; this is, after all, a band who had their greatest success with an…